'' You Are Here : Poetry in the Natural World '' is tinged with '' solastalgia, '' says U.S. poet laureate and editor of the volume : '' the distress caused by environmental change.'' That's not the same as melancholy.
.- What books are on your night stand?
My night stand doesn't speak to me anymore. That's because, here's the truth : I don't read at night. The night stand is where the books go to die. I think that I'll read something before bed and then I immediately fall asleep, so the real question is, what books are on my desk?
Right now that's '' Eve '' by Cat Bohannon; '' Martyr!'' by Kaveh Akbar; Mosa Abu Toha's '' Things You May Find Hidden in My Ear''; '' You Can Be The Last Leaf,'' by Maya Aby AI-Hayyat; and an advance copy of '' The Backyard Bird Chronicles,'' by Amy Tan.
.- Are you able to write outside, in nature, or only at a desk?
I love writing outside. When I'm home in Kentucky, I write on my screened-in porch, that is if it's warm enough. I love to fill the feeder and watch the birds in between writing lines of poems.
Through the years, I've trained myself to write anywhere. Planes, hotel rooms - anywhere, really. Though it helps if there is silence. Or sounds of nature.
.- How did you decide whom to commission for the new anthology?
I chose the poets that I knew had recently been working in interesting ways with the subject of nature. I feel so lucky with the final collection. It's even more powerful than I imagined.
.- What's the last book that made you cry?
'' Praisesong for the Kitchen Ghosts,'' by Crystal Wilkinson is a cookbook and a memoir combined that celebrates generations of Black women in Appalachia. Wilkinson always has a way of saying it true and making me weep.
.- Do you count any books as guilty pleasures?
Oh yes, Anne Rice was great guilty pleasure of mine. All things vampires, and witches, anything with magic.
What a gift those books were for me as a teenager. In some ways they were as foundational as some of the colonial books I read in school.
.- What's the most interesting thing that you learned from a poem in this volume?
One wonderful thing I learned about was from Aimee Nezhukumatathil's poem, ''Helipholia' : Rhubarb makes a wild popping or cracking noise when it grows in the dark. Now I have seen videos of this occurrence and I love it. We have yet to truly understand the language of the plants.
.- Did any of the poems make you want to travel to their settings?
Many : Victoria Chang's poems set in Alaska, for example, and the desert landscape poems by Eduardo C Corral and Rigoberto Gonzalez.
But for the most part the poems make me want to pay attention to wherever I am right now, to look deeply at what's around me, and not miss it.
The World Students Society thanks The New York Times.
0 comments:
Post a Comment
Grace A Comment!